{"id":4675,"date":"2015-02-09T18:14:41","date_gmt":"2015-02-09T16:14:41","guid":{"rendered":"http:\/\/www.ced.org.tr\/?p=4675"},"modified":"2015-02-09T18:15:41","modified_gmt":"2015-02-09T16:15:41","slug":"14-uluslararasi-bagimsiz-filmler-festivali","status":"publish","type":"post","link":"http:\/\/www.ced.org.tr\/?p=4675","title":{"rendered":"14. Uluslararas\u0131 Ba\u011f\u0131ms\u0131z Filmler Festivali"},"content":{"rendered":"<div>\n<div>\n<div>\n<div>\n<div>\n<div>12-22\u00a0 \u015eUBAT\u00a0 2015<\/div>\n<div>\u0130STANBUL<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<div>\n<div>09\/02\/2015<\/div>\n<\/div>\n<div>\n<h5>!f \u0130stanbul Ba\u011f\u0131ms\u0131z Filmler Festivali 12 \u015eubat Per\u015fembe g\u00fcn\u00fc ba\u015fl\u0131yor. Festival22 \u015eubat&#8217;a kadar \u0130stanbul&#8217;da devam edecek\u00a0.<\/h5>\n<\/div>\n<div>\n<div>\n<div>\n<div>\n<h1><span style=\"font-size: large;\">!f&#8217;te ka\u00e7\u0131r\u0131lmayacak 10 film!<\/span><\/h1>\n<h5>Habert\u00fcrk&#8217;\u00fcn sinema yazar\u0131 Mehmet A\u00e7ar, \u0130f&#8217;te ka\u00e7\u0131r\u0131lmayacak 10 filmi se\u00e7ti.<\/h5>\n<p><a href=\"http:\/\/www.radikal.com.tr\/kultur\/fte_kacirilmayacak_10_film-1289642\" target=\"_blank\">http:\/\/www.radikal.com.tr\/<wbr \/>kultur\/fte_kacirilmayacak_10_<wbr \/>film-1289642<\/a><\/p>\n<\/div>\n<\/div>\n<div><\/div>\n<div><\/div>\n<\/div>\n<\/div>\n<p><strong>Birdman<\/strong><br \/>\nY\u00f6netmen: Alejandro G. Inarritu<br \/>\nVenedik Film Festivali\u2019ndeki d\u00fcnya pr\u00f6miyerinden bu yana y\u0131l\u0131n en \u00e7ok konu\u015fulan filmlerinden biri. 11 dalda Oscar aday\u0131 olan film, Birdman adl\u0131 s\u00fcper kahraman rol\u00fcyle hat\u0131rlanan bir oyuncunun g\u00f6steri d\u00fcnyas\u0131ndaki tutunma \u00e7abalar\u0131n\u0131 anlat\u0131yor. Michael Keaton ve Edward Norton\u2019un oyunculuk performanslar\u0131yla da konu\u015fulan \u201cBirdman\u201d, y\u00f6netmen Inarritu\u2019nun nefes kesici uzun planlar\u0131yla \u00f6ne \u00e7\u0131k\u0131yor.<\/p>\n<p><strong>B\u00fcy\u00fck G\u00f6zler<\/strong> (Big Eyes)<br \/>\nY\u00f6netmen: Tim Burton<\/p>\n<div>\n<div>\n<div>\n<div>\n<div>\n<div><\/div>\n<p>\u0130ri g\u00f6zl\u00fc insan portreleriyle tan\u0131nan, 1960\u2019l\u0131 y\u0131llar\u0131n sansasyonel ressam\u0131 Margaret Keane\u2019in ve onun sahtek\u00e2r kocas\u0131n\u0131n ger\u00e7ek \u00f6yk\u00fcs\u00fc&#8230; Tim Burton bu \u00f6yk\u00fc \u00fczerinden \u00e7ok sevdi\u011fi Margaret Keane\u2019in sanat\u0131na, 1960\u2019l\u0131 y\u0131llara ve kad\u0131n s\u00f6m\u00fcr\u00fcs\u00fcne odaklan\u0131yor. Anlat\u0131m\u0131nda da Keane\u2019in resimlerindeki estetik d\u00fcnyay\u0131 yakalamaya gayret ediyor. Amy Adams ve Chtistoph Waltz\u2019\u0131n oyunculuklar\u0131n\u0131 da unutmayal\u0131m.<\/p>\n<p><strong>Gece Yar\u0131s\u0131 Sokakta Tek Ba\u015f\u0131na Bir K\u0131z<\/strong> (A Girl Walks Home Alone At Night)<\/p>\n<p>Y\u00f6netmen: Ana Lily Amirpour<br \/>\n2014 Sundance Film Festivali\u2019nde ilgiyle kar\u015f\u0131lanan film, ilk \u0130ran vampir westerni olarak an\u0131l\u0131yor. \u0130ranl\u0131 gen\u00e7 kad\u0131n y\u00f6netmen Ana Lily Amirpour\u2019un siyah beyaz olarak \u00e7ekti\u011fi ilk uzun filmi, korku t\u00fcr\u00fcn\u00fcn ge\u00e7mi\u015f \u00f6rneklerini hat\u0131rlatan atmosferi, tesett\u00fcre girmi\u015f vampiri ve \u201cpsychedelic\u201d m\u00fczikleriyle !f \u0130stanbul\u2019un merakla beklenen filmlerinden biri.<\/p>\n<p><strong>Prenses Kaguya Masal\u0131<\/strong> (Kaguyahime No Monogatari)<br \/>\nY\u00f6netmen: \u0130sao Takahata<br \/>\nEski usul el yap\u0131m\u0131 animasyonlar\u0131 ve suluboya \u00e7izimlerin benzersiz masumiyetini \u00f6zleyenler i\u00e7in harika bir se\u00e7im olabilir. Miyazaki ile birlikte Japon \u00e7izgi film gelene\u011finin en \u00f6nemli isimlerinden biri olan \u0130sao Takahata\u2019n\u0131n 15 y\u0131l aradan sonra y\u00f6netti\u011fi ilk film, melankolik ve masals\u0131 bir atmosfer vaadediyor. Film, ya\u015fl\u0131 bir oduncu ve kar\u0131s\u0131 taraf\u0131ndan bulunan gizemli ve g\u00fczel bir prensesin hik\u00e2yesini anlat\u0131yor.<\/p>\n<p><strong>Yes Men \u0130syanda<\/strong> (The Yes Men Are Revolting)<br \/>\nY\u00f6netmen: Laura Nix, The Yes Men<br \/>\n\u201cThe Yes Men\u201d olarak bilinen ikili Andy ve Mike, k\u00fcresel sorunlar\u0131 g\u00fcndeme getirmek i\u00e7in geli\u015ftirdikleri ilgin\u00e7 ve komik y\u00f6ntemlerle tan\u0131n\u0131yorlar. \u0130kilinin son 5 y\u0131ldaki eylemlerini anlatan \u00fc\u00e7\u00fcnc\u00fc film, bu kez eylemci olman\u0131n maddi zorluklar\u0131n\u0131 da konu ediniyor. Mike\u2019\u0131n bir ailesi, Andy\u2019nin de hayat\u0131n\u0131 payla\u015fmay\u0131 d\u00fc\u015f\u00fcnd\u00fc\u011f\u00fc bir sevgilisi var. \u0130kisi de hem ki\u015fisel hayatlar\u0131n\u0131 hem de d\u00fcnyan\u0131n ilgisini \u00e7ekecek eylemlerini s\u00fcrd\u00fcrmek zorundalar.<\/p>\n<p><strong>Son Be\u015f Y\u0131l<\/strong> (The Last Five Years)<br \/>\nY\u00f6netmen: Richard LaGravenese<br \/>\n\u201cBal\u0131k\u00e7\u0131 Kral\u201d\u0131n senaryosunu yazan, \u201cNot: Seni Seviyorum\u201d (2007) ve \u201cMuhte\u015fem Yarat\u0131klar\u201d (2013) adl\u0131 filmleriyle de tan\u0131nan Richard LaGravenese yeni filmi \u201cSon Be\u015f Y\u0131l\u201dda, Jason Robert Brown\u2019\u0131n Broadway m\u00fczikalini sinemaya uyarl\u0131yor. Filmde Cathy (Anna Kendrick) ve Jamie (Jeremy Jordan), 5 y\u0131ll\u0131k ili\u015fkilerine iki farkl\u0131 a\u00e7\u0131dan bak\u0131yor. Cathy, sondan geriye do\u011fru hayal k\u0131r\u0131kl\u0131klar\u0131n\u0131 anlat\u0131rken, Jamie a\u015fk\u0131n ilk heyecan\u0131ndan ba\u015fl\u0131yor.<\/p>\n<p><strong>Sessizli\u011fin Bak\u0131\u015f\u0131<\/strong> (The Look of Silence)<br \/>\nY\u00f6netmen: Joshua Oppenheimer<br \/>\nGe\u00e7ti\u011fimiz y\u0131l Oscar\u2019a aday olan 5 belgesel aras\u0131nda yer alan \u201c\u00d6ld\u00fcrme Eylemi\u201dnde Oppenheimer, bize Endonezya\u2019da y\u00fcz binlerce insan\u0131 \u00f6ld\u00fcren katillerin varl\u0131\u011f\u0131n\u0131 hat\u0131rlatm\u0131\u015ft\u0131. \u201cSessizli\u011fin Bak\u0131\u015f\u0131\u201dnda ise katliamlar s\u0131ras\u0131nda abisini kaybetmi\u015f Adi ile tan\u0131\u015ft\u0131r\u0131yor bizi. Adi\u2019nin amac\u0131 bug\u00fcn h\u00e2l\u00e2 iktidarda olan katillerle y\u00fczle\u015fmek&#8230; En az ilki kadar etkili olan film Venedik\u2019te FIPRESCI \u00f6d\u00fcl\u00fc kazand\u0131.<\/p>\n<p><strong>Nar\u0131n Rengi<\/strong> (Sayat Nova, Nran Guyne)<\/p>\n<p>Y\u00f6netmen: Sergei Parajanov<br \/>\nFestivalin \u201c!f K\u00fclt\u201d b\u00f6l\u00fcm\u00fcnde g\u00f6sterilen 1968 tarihli \u201cNar\u0131n Rengi\u201d, Ermeni \u015fair Sayat Nova\u2019n\u0131n hayat\u0131n\u0131 anlat\u0131yor. Parajanov\u2019un bir\u00e7ok y\u00f6netmene esin kayna\u011f\u0131 olan filmi, g\u00f6rsel atmosferi ve alternatif sinema diliyle bug\u00fcn bir klasik olarak kabul ediliyor. 1969 y\u0131l\u0131nda Sovyetler Birli\u011fi\u2019nde yasaklanan film sinemaseverlerin kar\u015f\u0131s\u0131na, Martin Scorsese\u2019nin \u00f6nc\u00fcl\u00fc\u011f\u00fcnde The Film Foundation taraf\u0131ndan yenilenen kopyas\u0131yla \u00e7\u0131kacak.<\/p>\n<p><strong>Hayat\u0131n Kendisi<\/strong> (Life Itself)<br \/>\nY\u00f6netmen: Steve James<br \/>\nHayat\u0131n\u0131 ge\u00e7ti\u011fimiz y\u0131l kaybeden Chicago Sun Times\u2019\u0131n efsanevi film ele\u015ftirmeni Roger Ebert\u2019in hayat hik\u00e2yesini anlatan belgesel, sinemaseverlerin festivaldeki gizli favorilerinden biri. ABD\u2019de \u00e7ok be\u011fenilen ve Oscar\u2019a aday ilk 5 belgesel aras\u0131na girmemesi b\u00fcy\u00fck s\u00fcrpriz olarak kar\u015f\u0131lanan \u201cHayat\u0131n Kendisi\u201d, Ebert\u2019in sinema tutkusuna odaklan\u0131yor. End\u00fcstriyle olan sevgi nefret ili\u015fkisinden Gene Siskel ile yapt\u0131klar\u0131 TV program\u0131na kadar hayat\u0131ndan bir\u00e7ok kesit aktar\u0131l\u0131yor.<\/p>\n<p><strong>Cennet<\/strong> (Eden)<br \/>\nY\u00f6netmen: Mia Hansen- Love<br \/>\nFrans\u0131z elektronik m\u00fczi\u011fini sevenlerin ka\u00e7\u0131rmamas\u0131 gereken bir film. \u201cCennet\u201d, Daft Punk gibi pop\u00fcler bir grubun do\u011fu\u015funa tan\u0131kl\u0131k eden, elektronik m\u00fczik ak\u0131m\u0131n\u0131n kurucular\u0131ndan Frans\u0131z DJ Paul\u2019\u00fcn 18 y\u0131ll\u0131k d\u00fc\u015f\u00fc\u015f ve y\u00fckseli\u015f hik\u00e2yesini anlat\u0131yor&#8230; Festival seyircisinin \u201cElveda \u0130lk A\u015fk\u201d ile hat\u0131rlayaca\u011f\u0131 1981 do\u011fumlu y\u00f6netmen Mia Hansen-Love\u2019\u0131n filmi hi\u00e7 ku\u015fkusuz m\u00fczikleriyle de \u00f6ne \u00e7\u0131k\u0131yor.<br \/>\n(Yaz\u0131: Mehmet A\u00c7AR \/ HT PAZAR)<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>12-22\u00a0 \u015eUBAT\u00a0 2015 \u0130STANBUL 09\/02\/2015 !f \u0130stanbul Ba\u011f\u0131ms\u0131z Filmler Festivali 12 \u015eubat Per\u015fembe g\u00fcn\u00fc ba\u015fl\u0131yor. Festival22 \u015eubat&#8217;a kadar \u0130stanbul&#8217;da devam&#46;&#46;&#46;<\/p>\n","protected":false},"author":1,"featured_media":4676,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[61],"tags":[],"class_list":["post-4675","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"aioseo_notices":[],"jetpack_featured_media_url":"http:\/\/www.ced.org.tr\/wp-content\/uploads\/2015\/02\/f_logo.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/4675","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4675"}],"version-history":[{"count":3,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/4675\/revisions"}],"predecessor-version":[{"id":4679,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/4675\/revisions\/4679"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/media\/4676"}],"wp:attachment":[{"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4675"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4675"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4675"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}