{"id":4733,"date":"2015-03-02T16:37:07","date_gmt":"2015-03-02T14:37:07","guid":{"rendered":"http:\/\/www.ced.org.tr\/?p=4733"},"modified":"2015-03-02T16:37:07","modified_gmt":"2015-03-02T14:37:07","slug":"ozanin-olumu","status":"publish","type":"post","link":"http:\/\/www.ced.org.tr\/?p=4733","title":{"rendered":"Ozan\u0131n \u00f6l\u00fcm\u00fc"},"content":{"rendered":"
MELTEM G\u00dcRLE, Birg\u00fcn<\/strong><\/div>\n
\n

http:\/\/www.birgun.net\/news\/view\/ozanin-olumu\/14431<\/a><\/p>\n

Neredeyse bir as\u0131r \u00f6nce Toros Da\u011flar\u0131\u2019n\u0131n F\u0131rat\u2019tan ayr\u0131lan kolunun eteklerinde bir \u00e7ocuk d\u00fcnyaya geldi. Ad\u0131n\u0131 Kemal koydular. Do\u011farken \u00f6yle uzun ve nameli bir \u00e7\u0131\u011fl\u0131k atm\u0131\u015ft\u0131 ki, b\u00fct\u00fcn k\u00f6y duymu\u015ftu sesini. G\u00fcrb\u00fcz topa\u00e7 bir bebekti. Anas\u0131n\u0131n memesine sar\u0131ld\u0131. \u00c7ukurova\u2019n\u0131n bin t\u00fcrl\u00fc illetine ra\u011fmen hayatta kald\u0131.<\/p>\n

D\u00fcnya ona iyi davranmad\u0131 halbuki. Daha k\u00fc\u00e7\u00fcc\u00fck bir bebeyken babas\u0131n\u0131 g\u00f6zlerinin \u00f6n\u00fcnde b\u0131\u00e7aklad\u0131lar. Namaza durmu\u015f adam\u0131n arkas\u0131ndan biri yana\u015ft\u0131 ve onu kalbinden han\u00e7erledi. \u00c7ocuk g\u00f6zlerini a\u00e7\u0131p onun yere d\u00fc\u015f\u00fc\u015f\u00fcn\u00fc izledi. \u201cK\u00fct\u201d diye d\u00fc\u015ft\u00fc babas\u0131 caminin zeminine, bedeni son kez secde eder gibi yere kapan\u0131p kald\u0131. Kemal\u2019in g\u00f6zleri bunlar\u0131n hepsini bir bir g\u00f6rd\u00fc. \u00d6yle korkun\u00e7tu ki g\u00f6rd\u00fckleri, g\u00f6zlerinden biri dayanamay\u0131p ka\u00e7t\u0131 gitti. Di\u011fer g\u00f6z daha sa\u011flam \u00e7\u0131kt\u0131. Ba\u015f\u0131ndan sonuna kadar her \u015feyi seyretti. O g\u00fcnden sonra g\u00f6z\u00fcndeki cinayet Kemal\u2019i hi\u00e7 terk etmedi. Nereye baksa \u00f6nce oradaki \u015fiddeti g\u00f6rd\u00fc, haks\u0131zl\u0131\u011f\u0131 fark etti.<\/p>\n<\/div>\n

\u2018\u00d6LD\u00dc\u011e\u00dcNDEN DOLAYI ONA K\u00dcST\u00dcM’<\/strong>
\nOkulda da \u015fans\u0131 yaver gitmedi pek. Asl\u0131nda gidecekti de gidemedi. Kemal K\u00fcrt\u2019t\u00fc. \u00dcstelik yetimdi. Babas\u0131n\u0131n \u00f6l\u00fcm\u00fcnden sonra iyice i\u00e7ine kapanm\u0131\u015ft\u0131. An\u0131lar\u0131n\u0131 anlatt\u0131\u011f\u0131 kitapta \u015f\u00f6yle diyordu: \u201cOnun \u00f6l\u00fcm\u00fcne uzun y\u0131llar inanamad\u0131m ve mezar\u0131na hi\u00e7 gitmedim. Uzun y\u0131llar mezar\u0131n yan\u0131ndan bile ge\u00e7medim. \u00d6ld\u00fc\u011f\u00fcnden dolay\u0131 da ona derinden k\u0131r\u0131ld\u0131m, k\u00fcst\u00fcm.\u201d Olanaks\u0131zl\u0131klar i\u00e7indeydi ama yine de ortaokula kadar okudu Kemal. Sonra \u00f6\u011fretmen vekilli\u011finden k\u00e2tipli\u011fe, trakt\u00f6r s\u00fcr\u00fcc\u00fcl\u00fc\u011f\u00fcnden k\u00fct\u00fcphane memurlu\u011funa kadar t\u00fcrl\u00fc \u00e7e\u015fitli i\u015fe girip \u00e7\u0131kt\u0131. Ama kitaplarla tan\u0131\u015fm\u0131\u015ft\u0131 bir kere. Onlarla aras\u0131n\u0131 bir daha hi\u00e7bir \u015fey bozamad\u0131. Girip \u00e7\u0131kt\u0131\u011f\u0131 i\u015flerde umutlar\u0131n\u0131 taze tuttu hep. Belki de bir g\u00fcn kendisinin de kitaplar yazaca\u011f\u0131n\u0131 bildi\u011fi i\u00e7in.<\/p>\n

KAT\u0130LLER, HIRSIZLAR YOKTU D\u00dc\u015e\u00dcNDE<\/strong>
\nSeneler ge\u00e7ip de ya\u011f\u0131z bir delikanl\u0131 oldu\u011funda Osmaniye\u2019den \u00e7ekip gitmek istedi. K\u00f6y\u00fcndeki \u00e7eltik tarlalar\u0131nda \u0131rgatba\u015f\u0131 olarak da kalabilirdi. Ama yerinde duramad\u0131 art\u0131k. Onu d\u00fcrten i\u00e7indeki edebiyatt\u0131. Belli ki ta o zamandan zihninde b\u00fcy\u00fck hik\u00e2yeler mayalan\u0131yordu. Haks\u0131zl\u0131klar g\u00f6\u011fs\u00fcn\u00fc doldural\u0131 \u00e7ok olmu\u015ftu zaten. \u00c7\u0131kmak i\u00e7in bir yol ar\u0131yorlard\u0131. O yollar\u0131n biri nas\u0131l olduysa hapishaneye \u00e7\u0131km\u0131\u015ft\u0131. Daha 17 ya\u015f\u0131ndayken tan\u0131\u015ft\u0131 davalarla, yarg\u0131\u00e7larla, mahpuslukla. Oysa sadece g\u00fczel bir \u00fclkenin pe\u015findeydi. Haks\u0131zl\u0131klar\u0131n, katillerin, h\u0131rs\u0131zlar\u0131n olmad\u0131\u011f\u0131 bir \u00fclkenin hayalini kurmu\u015ftu. \u00c7ukurova ona dar geliyordu \u015fimdi.<\/p>\n

B\u00f6ylece y\u00fcr\u00fcd\u00fc gitti Kemal ve sonunda b\u00fcy\u00fck kente vard\u0131. O d\u00f6nemde ta\u015fradan gelen hemen herkes gibi o da herhalde Haydarpa\u015fa\u2019da trenden indi. Muhakkak etraf\u0131na \u015f\u00f6yle bir bakt\u0131. Belki de tahta valizini bir elinden \u00f6tekine ge\u00e7irdi. G\u00f6rd\u00fc ki, bu \u015fehir ba\u015fka \u015fehirlere hi\u00e7 benzemiyor. Ama bu \u015fehrin insanlar\u0131 d\u00fcnyan\u0131n en kan\u0131 s\u0131cak, en cana yak\u0131n insanlar\u0131 de\u011fil. Fukaras\u0131 bol, zengini zalim. Bereketi ise yaln\u0131zca bir masaldan ibaret. Bir zamanlar g\u00fczelli\u011fin h\u00fck\u00fcm s\u00fcrd\u00fc\u011f\u00fc, alt\u0131n \u0131\u015f\u0131lt\u0131lar\u0131yla kubbelerin g\u00fcne\u015fin alt\u0131nda parlad\u0131\u011f\u0131 o masal kenti \u015fark\u0131larda kalm\u0131\u015f. Onun yerine insan\u0131n insana kast etti\u011fi, fabrikalar\u0131n solur gibi adam yedi\u011fi, gece kuytularda kanl\u0131 cinayetlerin i\u015flendi\u011fi bir \u015fehir bu.<\/p>\n

\"yasarkemal\"<\/p>\n

 <\/p>\n

KAD\u0130M B\u0130R GELENE\u011e\u0130N S\u00d6ZC\u00dcS\u00dcYD\u00dc<\/strong>
\nYirmili ya\u015flar\u0131n ba\u015f\u0131ndayd\u0131 bu oldu\u011funda. Onu ilk seferinde \u00c7ukurova\u2019ya geri d\u00f6nd\u00fcren de bu muydu acaba? Yine de Kemal yazmaktan vazge\u00e7medi. K\u00fc\u00e7\u00fck dergilere yollanan hik\u00e2yeler, \u0130stanbul\u2019a ikinci geli\u015finde Cumhuriyet gazetesine yazd\u0131\u011f\u0131 tefrika edilmi\u015f r\u00f6portajlara d\u00f6n\u00fc\u015fecek, daha geni\u015f bir okuyucu kitlesine ula\u015facakt\u0131. Sonradan ‘Bu Diyar Ba\u015ftanba\u015fa’ ad\u0131 alt\u0131nda toplanacak s\u00f6yle\u015filer, T\u00fcrkiye\u2019nin d\u00f6rt bir yan\u0131ndan insan manzaralar\u0131 naklediyor, ak\u0131c\u0131 dili ve ak\u0131lda kal\u0131c\u0131 hik\u00e2yeleri ile konu\u015fulan bir dizi yaz\u0131 haline geliyordu. Maya tutmu\u015ftu. 50\u2019li y\u0131llar\u0131n ortalar\u0131nda Yanan Ormanlarda 50 G\u00fcn, \u00c7ukurova Yana Yana, Peribacalar\u0131 bas\u0131ld\u0131. Kitaplar birbiri ard\u0131ndan \u00e7\u0131k\u0131yor, Kemal yava\u015f yava\u015f \u00fcnleniyordu. \u00dcslubu oturmu\u015f, okuyucu onun \u201cher \u015feyi g\u00f6ren g\u00f6z\u00fc\u201d ile tan\u0131\u015fm\u0131\u015ft\u0131. \u0130lk b\u00fcy\u00fck roman\u0131 olan \u0130nce Memed\u2019i yazd\u0131\u011f\u0131nda, ne t\u00fcr bir yazar oldu\u011funun ilk i\u015faretleri de ortaya \u00e7\u0131km\u0131\u015f oldu. Kemal herhangi bir romanc\u0131 de\u011fildi. Kadim bir gelene\u011fin s\u00f6zc\u00fcs\u00fc, yok olmaya y\u00fcz tutmu\u015f bir lisan\u0131n son ustas\u0131yd\u0131 o. Anadolu\u2019nun en eski halklar\u0131n\u0131n hikayeleri birle\u015fmi\u015f onun a\u011fz\u0131ndan bir nehir gibi \u00fczerimize ak\u0131yordu. Sanki b\u00fcy\u00fck ozanlardan biri mezar\u0131ndan kalkm\u0131\u015f ve ona el vermi\u015fti. Sanki \u201cAl g\u00f6z\u00fcm seyreyle, Kemal\u201d demi\u015fti. Yoksa tek bir adam\u0131n zihninde dola\u015fan bu kadar s\u00f6zc\u00fc\u011f\u00fc, bu kadar rengi ve \u0131\u015f\u0131\u011f\u0131 nas\u0131l a\u00e7\u0131klayabilirdik?<\/p>\n

\u00d6L\u00dcM \u0130LE TANIMI\u015eTI \u0130NSANI<\/strong>
\nHayat\u0131na bir cinayete \u015fahit olarak ba\u015flad\u0131\u011f\u0131 i\u00e7in midir nedir, insan\u0131n insana yapt\u0131\u011f\u0131 fenal\u0131\u011f\u0131 en iyi o anlad\u0131. Kan daval\u0131lar, fesatlar, katiller, \u00e7\u0131kar\u0131 i\u00e7in g\u0131k demeden anas\u0131n\u0131 bile kesebilecek tefeciler, zulm\u00fcn kitab\u0131n\u0131 yazm\u0131\u015f beyler, devlet kap\u0131s\u0131ndan beslenen zorbalar, a\u011fan\u0131n \u00f6n\u00fcnde e\u011filmekten s\u0131rt\u0131 kamburla\u015fm\u0131\u015f \u0131rgatlar, marabalar, k\u00f6yl\u00fcler… Bunlar\u0131n hepsi Kemal\u2019in iyi bildi\u011fi \u015feylerdi. Ama fenal\u0131\u011f\u0131n yazar\u0131 de\u011fildi o. \u0130nsanl\u0131\u011f\u0131n d\u00f6n\u00fc\u015ft\u00fcr\u00fcc\u00fc g\u00fcc\u00fcne, halklar\u0131n kendi kaderini tayin edebilece\u011fine, en zay\u0131f g\u00f6r\u00fcnen ki\u015filerin soylu duygulara sahip olabilece\u011fine inan\u0131yordu. Demirciler \u00c7ar\u015f\u0131s\u0131 Cinayeti gibi her sayfas\u0131 k\u00f6t\u00fcl\u00fckle dokunmu\u015f bir romanda bile, kar\u015f\u0131m\u0131za Kambur Tellal gibi bir karakter \u00e7\u0131karabiliyordu mesela. Hayat\u0131 boyunca adam yerine konmam\u0131\u015f Kambur Tellal zalim Kurtbo\u011fa\u2019ya kafa tuttu\u011fu zaman, \u00e7aresiz oldu\u011funu sand\u0131\u011f\u0131m\u0131z bu k\u00fc\u00e7\u00fck insanlar\u0131n i\u00e7indeki direnci g\u00f6r\u00fcp umutlan\u0131yorduk. Sadece tek bir ki\u015finin hikayesi de\u011fildi bu. Kemal, \u00c7ukurova insan\u0131n\u0131n hayat\u0131ndan yola \u00e7\u0131karak b\u00fct\u00fcn ezilenlerin, b\u00fct\u00fcn yoksullar\u0131n, b\u00fct\u00fcn a\u015fa\u011f\u0131lananlar\u0131n destan\u0131n\u0131 yaz\u0131yordu.<\/p>\n

\u201cBen iki \u015feye inan\u0131r\u0131m,\u201d diyordu bir konu\u015fmas\u0131nda; \u201c\u0130ki \u015feyin sonsuz g\u00fcc\u00fcne, sonsuz yarat\u0131c\u0131l\u0131\u011f\u0131na, sonsuz de\u011fi\u015fimine: Halk ve do\u011fa.\u201d Yani da\u011f\u0131n ta\u015f\u0131n, otun ku\u015fun, b\u00f6rt\u00fc b\u00f6ce\u011fin de yazar\u0131yd\u0131 o. Sanki \u00c7ukurova\u2019n\u0131n deresi tepesi senelerdir onu beklemi\u015fti dile gelmek i\u00e7in. Uzun tasvirleri y\u00fcz\u00fcnden ona \u00e7ok y\u00fcklendiler. Bir bal ar\u0131s\u0131n\u0131n kanad\u0131ndan yans\u0131yan g\u00fcne\u015fi anlatmak i\u00e7in \u00fc\u00e7 sayfa harcad\u0131\u011f\u0131n\u0131 s\u00f6yleyip ondan y\u00fcz \u00e7evirdiler. Ama Kemal ald\u0131rmad\u0131 buna. B\u00fct\u00fcn d\u00fcnyay\u0131 bir b\u00fct\u00fcn olarak g\u00f6r\u00fcyordu \u00e7\u00fcnk\u00fc. Ar\u0131n\u0131n kanad\u0131n\u0131 fark etmeyen, g\u00fcne\u015fin parlad\u0131\u011f\u0131n\u0131 da g\u00f6remiyor demekti. Bu kadar basitti. Onun i\u00e7in ar\u0131lar\u0131 anlatmaya devam etti. Sadece ar\u0131lar\u0131 m\u0131? Pampallardan pabu\u00e7 incirlerine, kadife \u00e7i\u00e7eklerinden \u00fc\u00e7g\u00fcl pembelerine her t\u00fcrl\u00fc \u00e7i\u00e7e\u011fi b\u0131kmak usanmak bilmeden sayd\u0131 d\u00f6kt\u00fc. Hepsinin bir bir kaybolaca\u011f\u0131n\u0131, bir g\u00fcn onlar\u0131 g\u00f6remez olaca\u011f\u0131m\u0131z\u0131 bildi\u011fi i\u00e7in yapt\u0131 bunu. Ve haks\u0131z \u00e7\u0131kmad\u0131. Hi\u00e7 haks\u0131z \u00e7\u0131kmad\u0131.<\/p>\n

DO\u011eA VE \u0130NSAN<\/strong>
\nYazmaya kar\u015f\u0131 b\u00fcy\u00fck bir i\u015ftah\u0131 vard\u0131. Hep daha \u00e7ok yazmas\u0131 gerekti\u011fini d\u00fc\u015f\u00fcn\u00fcyordu. Uzun bir hayat ya\u015fad\u0131. Ama ona yetmedi. \u00c7\u00fcnk\u00fc istediklerini yapabilmesi i\u00e7in bundan daha fazlas\u0131 laz\u0131md\u0131. Sadece yazmak i\u00e7in de\u011fil, e\u011fer ona bakmazsak do\u011fan\u0131n bize k\u00fcsece\u011fini insanlara anlatmak i\u00e7in de uzun ya\u015famak istiyordu: \u201cD\u00fcnyam\u0131z g\u00fcn ge\u00e7tik\u00e7e bo\u015fal\u0131yor. D\u00fcnyam\u0131z gittik\u00e7e fukarala\u015f\u0131yor. Bunu g\u00f6remeyenler, trajediyi sanat olarak yaratmayanlar ve ne yaparlarsa yaps\u0131nlar kimse onlar\u0131n y\u00fcz\u00fcne bakmaz. Bir g\u00fcn bakarlar, iki g\u00fcn bakarlar, sonra? Kendimden memnun muyum, daha \u00e7ok \u00e7al\u0131\u015fmal\u0131, daha \u00e7ok yazmal\u0131, insan insan dola\u015f\u0131p insanlara, do\u011fa yok olunca bizim de soyumuzun kuruyaca\u011f\u0131n\u0131 anlatmal\u0131y\u0131m.\u201d<\/p>\n

FARKINDAYDI \u00d6L\u00dcYOR OLDU\u011eUNUN<\/strong>
\nB\u00fct\u00fcn bunlar\u0131 yapmak i\u00e7in insan\u0131n bir de\u011fil birka\u00e7 \u00f6mr\u00fc olmas\u0131 gerekiyordu. Kemal\u2019in ise \u00e7ok hik\u00e2yesi vard\u0131 ama yaln\u0131zca bir tek hayat\u0131 oldu. Onu da bildi\u011fi gibi ya\u015fad\u0131. S\u00f6z\u00fcn\u00fc sak\u0131nmadan. \u0130fade \u00f6zg\u00fcrl\u00fc\u011f\u00fcnden K\u00fcrt meselesine kadar her konuda fikrini s\u00f6yleyerek. Ve yazarak. Co\u015fkun bir \u0131rmak gibi hi\u00e7 durmadan yazarak. Bir sabah art\u0131k gitme vakti geldi\u011finde, g\u00fczel bir \u00fclkenin hayali g\u00f6r\u00fcnd\u00fc g\u00f6z\u00fcne. Orada \u00e7ay\u0131rlar renk renk \u00e7i\u00e7eklerle doluydu, toprak ekinlerden g\u00f6r\u00fcnm\u00fcyordu. Bir de atlar vard\u0131 ki, insan g\u00f6z\u00fcn\u00fc alam\u0131yordu: \u201cK\u00fcheylan, seklavisi, cins cins, don don. Dorusu dorular\u0131n en parla\u011f\u0131, al\u0131 k\u0131r\u0131, kulas\u0131, abe\u015fi, demirk\u0131r\u0131, ya\u011f\u0131z\u0131 da \u00f6yle.\u201d Orada konuksever insanlar, her s\u00f6zleri cana can katan ki\u015filer vard\u0131. Kendisini \u00e7ok eski bir dostu yeniden g\u00f6rm\u00fc\u015f gibi selamlad\u0131lar.<\/p>\n

Kemal \u00f6l\u00fcyor oldu\u011funun fark\u0131ndayd\u0131. Ama bu g\u00fczel \u00fclkede \u00f6l\u00fcm bile g\u00fczel g\u00f6r\u00fcnd\u00fc g\u00f6z\u00fcne. Onun i\u00e7in hi\u00e7 endi\u015fe etmedi. Yava\u015f\u00e7a kalabal\u0131\u011fa kar\u0131\u015ft\u0131. Bakt\u0131 g\u00fcne\u015f \u00e7oktan \u00e7ekilmi\u015f. Toroslar\u0131n eteklerindeki g\u00f6lgeler derinle\u015fiyor. F\u0131rat nehri kabarm\u0131\u015f arkas\u0131ndan son suyunu d\u00f6k\u00fcyor. Vakit tamam, dedi kendi kendine.<\/p>\n

O iyi insanlarla birlikte o g\u00fczel atlara bindi ve ufka do\u011fru g\u00f6zden kaybolup gitti.<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

MELTEM G\u00dcRLE, Birg\u00fcn http:\/\/www.birgun.net\/news\/view\/ozanin-olumu\/14431 Neredeyse bir as\u0131r \u00f6nce Toros Da\u011flar\u0131\u2019n\u0131n F\u0131rat\u2019tan ayr\u0131lan kolunun eteklerinde bir \u00e7ocuk d\u00fcnyaya geldi. Ad\u0131n\u0131 Kemal...<\/p>\n","protected":false},"author":1,"featured_media":4734,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[61],"tags":[],"class_list":["post-4733","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-kultur-sanat"],"aioseo_notices":[],"jetpack_featured_media_url":"http:\/\/www.ced.org.tr\/wp-content\/uploads\/2015\/03\/yasarkemal.jpg","jetpack_sharing_enabled":true,"jetpack-related-posts":[],"_links":{"self":[{"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/4733","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=4733"}],"version-history":[{"count":1,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/4733\/revisions"}],"predecessor-version":[{"id":4735,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/posts\/4733\/revisions\/4735"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=\/wp\/v2\/media\/4734"}],"wp:attachment":[{"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=4733"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=4733"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.ced.org.tr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=4733"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}